In the wake of thebox office successes ofandPet Sematary,Netflix is cashing in on the Stephen King craze with yet another adaptation. Written by King and his son Joe Hill,In the Tall Grassis a twisted tale that works quite well as a 60-page novella. Unfortunately, the full-length feature film wanders just as much as its characters.
DIRECTOR: Vincenzo Natali
This Stephen King adaptation fails to live up to the scope of its mythology.
In the Tall Grassfollows overly affectionate siblings Becky (Laysla De Oliveira) and Cal (Avery Whitted) as they get trapped in a sinister field of towering grass. Lured in by the voice of a lost little boy, theyalong with half a dozen othersquickly realize theyre trapped in a mud-splattered, grassy nightmare where time and space only exist as illusions to torture them as much as the audience.
Though the cast ofIn the Tall Grassnumbers six, the field itself is by far the films most compelling player. Captured masterfully by director Vincenzo Natali with a truly inspired variety of ominous close-ups, mesmerizing overhead shots, and eerie inserts of natural sound, the grass is actually unsettling. Its malevolent sentience overshadows the screen presence of its human prisoners, despite the actors valiant efforts to overcome bland backstories, forced drama, and painfully wooden dialogue. While some horror fans may enjoy the campiness of halting cliches that shouldve been relegated to inner monologues, the script suffers from over-the-top lines and out-of-place, plot-explaining, inter-character conflicts that undercut the grimness the film tries so, so hard to cultivate.
That being said, anguish is the one thing In the Tall Grassdoes exceedingly well. Its genuinely sickening to watch the characters endure the same tortures over and over (and over) again. Regrettably, this tedious stuck in a time loop structure ensnares viewers in a purgatorial state of suffering as well, and the lack of well-written characters fails to make the distress even remotely rewarding.
The one genuinely engaging aspect ofIn the Tall Grassis the tales unadulterated oddness. The grass murky power, the god-like rock at its center, and the fleeting appearances of what can only be described as grass people are delightful in the vagueness of their unstructured existence. Theyre each glowing examples of Kings knack for wonky mythologies (see:the turtle god of theItuniverse), and making such a looming and amorphous mythos come alive onscreen is no easy feat. To his credit, Natali commits to this weirdness without restraint, reveling in all the offbeat supernatural moments without attempting to over-explain spooky field lore that, frankly, is unexplainable. He also dives fully into the garish goriness of the tale that finally makes the films pace pick up in the third act, while steering clearperhaps wiselyof some of the novellas grittier moments. Lamentably, his evident passion for the project isnt enough to save it.
All in all,In the Tall Grass is an ambitious, if fruitless, labor of love. Natali clearly took to this project with an enthusiasm matched by his actors and design team, and theCubeandSplicedirector brings the best of his aesthetic prowess to the table. If youre looking for an imaginative, albeit empty, Lovecraftian romp to fill your time with,In the Tall Grass is that and nothing more. But if youd like a meaningful horror experience with real narrative payoff, welldont make the same mistake Becky and Cal did. Avoid the tall grass.
In the Tall Grass premiered at Fantastic Fest on Sept. 20, 2019. It airs on Netflix on Oct. 4, 2019.